įrom Greek "headless," acephalous lines are lines Click here to viewĪCCENTUAL VERSE: A verse pattern used heavily in Russian and Czech literature. The degree of stress given to a syllable-an important component Or a Texas accent by sound alone, or they might place a foreign speaker's origin by noting a French or Russian accent. Thus, Americans might be able to discern a Boston accent
(1) A recognizable manner of pronouncing words-oftenĪssociated with a class, caste, ethnic group, or geographic The use of acatalectic lines in poetry-see discussion under Line (which has one or more extra syllables than would normallyīe expected, perhaps due to anacrusis). Line (which is missing an expected syllable) or a hypercatalectic Of syllables in each line, as opposed to a catalectic See discussionĪ "normal" line of poetry with the expected number The term is often used in a derogatory manner. Lady Venus on the settee of the horsehair sea! (qtd.Ī type of catachresis known as the "mixed metaphor." Watched the courses of the breakers' rocking-horses and with Sitwell's poems from her collection FaçadeĪre samples of this genre, including her poem "Hornpipe." Term, considering this verse form the equivalent of abstract Meaning or poetic effects Dame Edith Sitwell popularized the Syntactically but which relies on auditory patterns to create its POEM: Verse that makes little sense grammatically or Theory of the "objective correlative." Contrast with Eliot added to this school of thought with his Hulme attempted to create a theory of concrete In the 20th century, the distinctionīetween concrete and abstract has been a subject of some debate.Įzra Pound and T. The Romantic poets like Wordsworth, Coleridge, and Shelley onceĪgain preferred concreteness. To value the generality of abstract thought. A century later, Neoclassical thought tended Praised concrete imagery in poetry in his 1595 treatise, Apologieįor Poetrie. Or concrete imagery varies from century to century. For instance,Ĭalling something pleasant or pleasing isĪbstract, while calling something yellow or sour That cannot be perceived with the five senses. In most indoor theaters like the Blackfriars Theater, musiciansĪbove the stage would perform in a curtained alcove here.ĭICTION / ABSTRACT IMAGERY: Language that describes qualities Was also used by the actors for short scenes.
In Shakespeare's Globe Theater, thisĪrea contained the lords' rooms, but the center of this location Heavens," this term refers to the gallery THE: Also called "the aloft" and sometimes Narratives) or fictional accounts such as Stowe's The form of autobiographical writings (in the case of many slave Of slaves, or abolishing slavery altogether. Written in the nineteenth century for the express purpose ofĬondemning slaveholders, encouraging the release and emancipation This is also calledĪn example would be the principal parts of Old English strong Jacob Grimm's term for the way in which Old English strong verbsįormed their preterites by a vowel change. His treatise, Ars Poeticae, a treatise not to be confused The middle of things," well into the middle of the plot,Īnd then proceeds to explain earlier events through the characters'ĭialogue, memories, or flashbacks. Medias res, one in which the narrative starts "in Pattern is the opposite of a tale that begins in Through a sequence of events to the tale's conclusion. The egg"): This phrase refers to a narrative that startsĪt the beginning of the plot, and then moves chronologically It opened in 1904 and began showing plays by almost every Irish Purpose of presenting Irish plays performed by Irish actors. Yeats and Lady Gregory, built with the express THEATRE: The center of the Irish Dramatic movment founded In general, these a priori arguments rely upon deductive reasoning-fashioning a general statement that should (in terms of logic) be true, and then applying the argument to a specific instance-i.e., the universal statement comes first, and then specific applications in the real world are expected to match it. Logic, geometry, and mathematics are usually Known or inferred independently of any direct perception. In rhetoric, logic, and philosophy, an argument is said to In general, these are inductive arguments in which the thinker puts forth a belief or proposition as a universal rule she or he puts forth in response to an example seen in nature-the specific observed example comes first, and the logical argument follows on a universal level later. In rhetoric, logic, and philosophy, a belief or propositionĬan only be determined through observation (Palmer 381). Vocabulary terms are listed alphabetically. Important concepts and vocabulary that we will cover during